It’s the waning hours of Labor Day Weekend: Do you know where your children are? Well, in the great state of Alabama I can answer that fairly easily. Anywhere besides out of doors. We’ve been enduring god-awful temperatures in the high 90s with a level of humidity that’s driving the heat index to somewhere between 100 and 112- day in, day out for the last few weeks. I absolutely refuse to venture out of air-conditioned environments for more than five minutes. I had vague plans of doing a bunch of things around the condo, but for the most part, even though my HVAC works perfectly well, the heat has kept me from wanting to much of anything. Therefore, my Labor Day Weekend has been unencumbered by too much labor.
I did get a few minor things finished and caught up on everything that has an imminent due date so it wasn’t a complete vegetative state weekend. I also managed to have a few decent meals out and spent time with friends, mainly watching old movies. One of the nice things about having younger friends is the ability to acquaint them with cultural touchstones of earlier decades and being able to revisit them through eyes that have never seen them or read them or listened to them (depending on the medium involved). Not having children or grandchildren, I have to do this outside of family circles and I often do it with younger gay men of my acquaintance – they have to learn gay culture 101 from somewhere and it might as well be me.
This weekend’s revisit was Baz Luhrman’s first film, Strictly Ballroom, which has always been one of my favorites since I first saw it on its initial release in the early 1990s. Australian cinema was going through a bit of a renaissance at the time and one of the types of film that emerged were rather sweet souled dramadies with a bit of a loopy sensibility, a heightened reality and visual style, and a killer soundtrack. Strictly Ballroom, made on a low budget based on an Australian stage play, set up Luhrman’s unique visual style which came to full fruition a decade or so later with Moulin Rouge!. I’ve always thought of it as drag sensibility for straight people. About 20 minutes into the movie, there’s a sequence when our hero and heroine ballroom dance together on a rooftop in front of a Coca-Cola sign while Cyndi Lauper’s Time After Time plays on the soundtrack. It sounds odd but the actual combination of elements is magical in context and the first time I saw it, I knew this was a filmmaker to watch. I haven’t always liked his work over the years, but even in his worst pieces, there are amazing visual and emotional moments. It was lovely rediscovering the piece through someone who had no idea what it was about and I always find the ending with its message of family, connection, and joy emotionally cathartic. It always makes me cry.
While it would be lovely to live in a society that’s a technicolor extravaganza with happy endings for all, we don’t. We continue to have to contend with a society that seems to have gone off the rails at the very top. A president who thinks he can run around renaming US states at his whim. A Secretary of Defense who has pushed out most of the experienced senior leadership at the Pentagon, gleefully ignores facts that do not fit his worldview, and is busy wasting hundreds of billions in an unwinnable conflict with Iran. A Secretary of the Interior busy facilitating the transfer of public lands into private hands. A Secretary of Education busy trying to destroy educational opportunities to the underserved. A Secretary of Health and Human Services destroying public health programs while advocating unproven therapies. An Attorney General gleefully trampling on the constitution. Will things change in eight weeks or so at the midterms? I’m not sure. One thing I have learned about our current administration is that anything can happen (and usually does).
The next few weeks promise to remain relatively calm, whatever the weather and politics are up to. I have short work weeks the next few weeks due to my jaunt to Seattle to check up on the family. September has long been my favorite month there due to the magical golden light of the Indian Summer afternoons. With my luck, it will rain the whole time I’m there. I come back from that to a cameo role in a play (another judge) where I spend most of my time napping backstage. Then, a week or so later, my major fall trip to Eastern Europe. Still trying to work out how to deal with the life changes of retirement. I’ll probably try a few different patterns of living prior to finding what works best for me. In the meantime, I’m still trying to organize myself and all my boxes of ephemera. Someday I may be done. And then what…